- PEAKING IN REAPER FOR MAC HOW TO
- PEAKING IN REAPER FOR MAC PLUS
- PEAKING IN REAPER FOR MAC PROFESSIONAL
- PEAKING IN REAPER FOR MAC MAC
pressing the applications key on this button will bring up further options for configuring the send. Once you have a send set up, when in the I/O for current track dialog, you will find a delete button for the send.
PEAKING IN REAPER FOR MAC PLUS
Alternatively you can use the alt plus applications key on the track and you will find the options buried in these menus. For example, in Windows, you can set up a send as described above from the "View I/O for current track"dialog by pressing "I" on the track.
PEAKING IN REAPER FOR MAC MAC
Some Tips for Windows and Mac users Īs with most things in Reaper, there are many ways of doing things, and the best way may be different between platforms.
PEAKING IN REAPER FOR MAC PROFESSIONAL
This may seem fairly complex at first, however understanding the concepts covered will help with lots of tasks you might want to undertake in Reaper, or any professional DAW We have now set up a side chain to duck our music while speaking. The lower you set the threshold, the quieter the music will be while it is being compressed. You can use the precomp and attack parameters to affect how quickly the audio is ducked and the release parameter to affect how quickly the audio returns to it’s original volume once the voice over stops. Set the ratio to a suitable value, perhaps 4/1 or higher. This means the compressor will be influenced by the audio being sent to it on channels 3 and 4, in this case, the audio from your voice track.įinally, we need to set up the compressor suitably to compress the music enough to hear the voice over. Once added, tab through the settings of ReaComp until you get to “detector input.” Set the detector input of ReaComp to aux 3/4. Press F on the Music track to open the FX dialogue. In this tutorial, we are using the included compressor, Reacomp. Now, we can add a compressor to our music track. Press the Enter key to consolidate the change and then press the Escape key until you land in the main Reaper window. Press enter on that setting and, once again, make use of the down arrow keys to get to the 3/4 option, which will likely be the third option in most of the cases. Use the down arrow key to get to the "Destination Audio Channel" setting. Tab until you hear, “send to track one, music, delete button.” Once there, invoke your contextual menu with either the Applications key or the Shift+f10 combination. To send the vocal track to channels 3 and 4 of the music track, press I on the vocal track. This means that the audio on your vocal track is being heard through your vocal track, but is also being sent to the auxiliary channels of your music track, so that you can use it to influence the music track. This will send the audio from the vocal track to the auxiliary channels of your music track. Next, set the destination of the send from the vocal track to the third and fourth channel of the music tracks. When you're there, press Enter for the send to add, then press escape to leave the routing dialogue. You can press I on the vocal track to enter the routing dialogue, tab til you hear, “add send.” Press Alt+Down arrow keys to open the combo box to select the destination track.
Next, setup a send, so that the audio from the vocal track is being sent to the music track. Then press escape to exit the routing dialogue. Arrow down to change from 2 channels to four channels. Tab until you hear, “track channels.” Press Alt+Down arrow keys to open the combo box so you can select the number of channels. To change the track to a four channel track, press I on the music track, to open the routing dialogue.
The first two channels are your standard left and right channels, channel 3 and 4 will be auxiliary channels, meaning that you won't hear the audio being sent to those channels. The first step is to change the music track from a standard 2 channel stereo track to a 4 channel track. Now we have a track with music, and a track with voice. If not, then read this article to learn how.
PEAKING IN REAPER FOR MAC HOW TO
This article assumes that you already know how to create tracks. In this example, track one will be called music, and track 2 will be called voice. The copy that is sent to the music track will not be heard in the master, however it will be used to compress the volume of the music, or in other words, to duck the music.įirst, create two tracks.
We will still want the vocal track to go straight to the master track so we can hear it. In the side- chain we will be setting up in this tutorial, we will be sending the audio from our vocal track to the music track. So for example your podcast intro music is ducked when you start speaking. You could use Sidechaining if you want to have your background music on one track automatically lowered in volume, or ducked, when there is speech on another track. In essence, a side chain is where you use the output of one track to control the output on another track. Side-chaining with ReaComp What Is Side-Chaining?
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